Oct 8, 2016

How Hip Hop rule Japan

Buddha Brand - Ningen Hatsudensho
          (= Human Power Plant)

"Dis-ru" (ディスる) is a trending word in Japan today. It means "disrespect" and commonly use when you are criticizing someone. The name comes into use from a couple years ago from hipsters. However, Dis-ru is already common slang in the people who are interested in Hip Hop culture.

Japanese Hip Hop culture has started in the late 1980's as a subculture,but Japanese Hip Hop heads hardly used Hip Hop slang in English. In fact, the use of slangs in Japan has just begun in early 1990's.  It has different roots of Japanese Reggae culture. Then, who started use and expand this word? I will introduce two rap groups as that answer.

"Microphone Pager" is a one of the oldest group in hardcore Japanese Hip Hop. They were established in 1992 and they criticized Japanese mainstream like comical rap with English slang directly like "Dope" and "Sucker".


Microphone Pager - Kaisei Kaishi 08 

The other, "Buddha Brand" caused the big paradigm shift. Young four Japanese men were organized the crew late 1980's in the US and started their career in Japan in 1995.

Buddha brand - Funky Methodist

It was shocking that their groove almost same as the black musician for the Japanese heads. In addition, their lyric was absolutely "extraneous". They mixed Japanese and English strangely in their lyrics. Nothing was more bossy and offensive than their rap. However, they didn't rap about personal life and not have a clear intention. For example, Nipps, MC of the group somehow, rapped with some taboo words in Japanese sociality like Japan Airlines Flight 123 and Aum shinrikyo without clear ideology.

Japanese rappers write accurate lyrics. However, Buddha Brand write offensive but vague lyrics and it beat the previous tradition and released possibilities of Japanese language in Japanese Hip Hop. They were obviously the first group using the Japanese words which were translated the US Hip Hop slang as well as Hip Hop slang in English directly.

Unfortunately, Dev-Large, The frontman of Buddha Brand died in 2015. He was also a good trackmaker and vinyl digger. I remember him when I hear "Dis-ru" and how he changed both the Japanese Hip Hop and language.

Buddha Brand - ILLSON (Unreleased ver.)


Dev Large - Koutetsu no BLACK (Feat. Nipps)

Sep 20, 2016

What's The Roots of...

Just my opinion!!


1. The roots of Techno music

Organisation - Tone Float 1969


2. The roots of House music

Fela Anikulapo Kuti & Roy Ayers - 2000 Blacks got to be free 1980


3. The roots of Political Hip Hop


The Last Poets - When The Revolution Comes1970


4. The roots of Roots Reggae 
It's pretty difficult to distinguish between Reggae and Rock Steady...

Lee Perry - People Funny Boy 1968

4. The roots of Japanese Hip Hop

Seiko Ito & TINNIE PUNKX - Tokyo Blonxx1986






Sep 19, 2016

Future Punjabi Music?





Jogi - Punjabi MC ...Classic!!


I don't get what they rap, but feel so good underground sound.


This is not Mid-East sound. but cool!!

Sep 18, 2016

Turn off power to recognize your potentiality


He can perform and make money anywhere in the world.


To be honest, I'm getting lost interests for DJ mix skills like DJ battle. I used to naturally surprised when I watched battle DJ's. It was surprising because they made incredible routines with the same vinyls what I have. DJ Jazzy Jeff, Mixmaster Mike, DJ Q-bert and D-styles...they are still my desires and craftsmen. Not just jugglers. However, after appearing DJ controller system and being easy to copy digital media, I can't distinguish whether they perform by their hand or just press a play button to listen to a track of DJ performance. I'm not sure they use "cue button" for beat juggling. DJ is a performance between the digital and the physical. That hybrid creation made amazing entertainment. On the other hand, the digital possibility grown more than physical possibility, and the digital makes specialize to generalize. Then, how human being win the digital? See the video above video. It's no necessary for electric power supply!! Drum performance is not special, but he plays brand new beat like techno music. We created techno music with programmable drum machines The machine can compose techno trucks but it can't create new beat, because creating culture at the same time if we create something. We shouldn't forget human potentiality is always physical activities in social.


DJ Jazzy Jeff's classic routine.



DJ Cheese's performance in 1986. He didn't put a DJ mixer among turntables.





Sep 17, 2016

Big September for Roland

On September 9 2016, Roland published they will release their revival classic analog  synthesizers...TR-909 is back!!

THREE NEW ROLAND BOUTIQUE SERIES MODELS ANNOUNCED



Amazing sound!! Can't help but wait...

 In addition, they announced to release the first analog turntable and the DJ controller. Don't get worry if you let go your Technics SP-1200 and replace it with TT-99 because Roland's new turntable is almost the same.




Sep 16, 2016

Hip Hop in Japan -4



2002年に潮目が変わった。日本語のフリースタイルにもようやくフローという概念が持ち込まれより話し言葉や音源に近いラップが聴けるようになった。3連覇を成し遂げたクレバの後B-boy park 2002で優勝したのはMSC (当時MS Cru)の漢。新宿アンダーグラウンドを代表するポップスターでもあるクレバの真逆の存在が当時は珍しかったたたみかける倍速のフロウと圧倒的な言葉の存在感で優勝した。彼はUSのヒップホップのようにアンダーグラウンドの日本のヒップホップを上手く商業化しようと独自で奮闘中だ。

A turning point in Freestyle battle was in 2002. It means "Style Wars" have started. Many rappers had their own style and we could listen to freestyle rap as if they are just chatting.
KREVA left the freestyle battle field after winning his three consecutive title.The next winner of B-boy Park 2002 was MC Kan of MSC (MS Cru). This underground rapper represents slum town in Tokyo and It's opposite position of KREVA. He has been struggling to make a living or business with underground HipHop like in the US.

Sep 15, 2016

Hip Hop In Japan -3



日本語のフリースタイルバトルのやり方にはいくつかフェーズがあった。最初期である90年代後半はいかに4小節の終わりにパンチラインを入れられるか。ライムの量は多くはない。ラップスキルというよりユーモアの効いたジョーク合戦という色合いが強かった。またトラックの上でラップするものの「ビートにライドする」というラッパーはほぼ皆無だったと思う。なのでトラックによってフローの速さが変わったりもしない。
日本で初めての大規模なフリースタイルバトルの大会「B-Boy Park」が1999年に始まった。この年から3年連続優勝したのは日本で最も成功したラッパーのクレバだ。彼はこの優勝で"セルアウト"という不名誉な称号を破り、ストリートからも大きなプロップスを得た。


KREVA is also a good Track Maker. He remixed "Pass That Dutch" by Missy Elliott

Freestyle rap battle in Japan has several phases of development.
Late 90's is the earliest era. Freestyle rappers struggled to kick their punchlines at the end of four bars. A number of rhymes are not so many. It's like a joke rally rather than rap battle.They rapped on a beat but nobody "rides the beat" and change the flow according to tracks.

The first full-scale freestyle battle tournament "B-Boy Park" started in 1999. KREVA is the most successful rapper in Japan won the championship three years in a row. He beat his poor fame as "Sell-out" and got props from the street.

My favorite his sampling work.

Source : Waiting - Birds of Feature